ABOUT

In “The Human Hum,” I construct speculative scenarios using immersive media such as installation, dance, film, and participatory performance. These fictions deal with possible future changes to the human mind, soul, and body through new technologies such as synthetic biology or human-machine interfaces. They are what-if scenarios that appear as psychological and physical states. Often humorous, they anticipate the consequences and thus the abysses of transhumanist thinking that are inscribed in the technological devices we use daily. The works always point out our agency in relation to the core question of anthropology: Who are we? Or: Who do we want to be?